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Cuteness has taken the planet by storm. Global sensations Hello Kitty and Pokémon, the works of artists Takashi Murakami and Jeff Koons, Heidi the cross-eyed opossum and E.T. - all reflect its gathering power. But what does "cute" mean, as a sensibility and style? Why is it so pervasive? Is it all infantile fluff, or is there something more uncanny and even menacing going on - in a lighthearted way? Simon May provides nuanced and surprising answers....
2) Rhetoric
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Written sometime in the 4th Century BC, Aristotle's "Rhetoric" is the definitive treatise on the art of persuasive public speaking. The art of oratorical persuasion was an essential skill for the successful politician during the days of ancient Greece and Aristotle's "Rhetoric" is considered one of the greatest works from antiquity on the subject. Like many of the surviving works attributable to Aristotle, "Rhetoric" was not intended for public dissemination,...
3) What Is Art?
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While Tolstoy may be best remembered as the talented Russian author of such monumentally great works as "War and Peace" and "Anna Karenina", he also wrote prolifically in essay format on various subjects. In this volume Tolstoy turns his attention to the study of aesthetics and art in all its forms. Based on fifteen years of research, "What is Art?" is Tolstoy's intellectual exposition into answering the titular question. Rich with criticism for his...
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German philosopher and influential 18th century late Enlightenment thinker Immanuel Kant wrote "Critique of Judgment" in 1790 to solidify his ideas on aesthetics. Often referred to as the "third critique", it follows Kant's "Critique of Pure Reason," published in 1781, and "Critique of Practical Reason", published in 1788 and completes his "Critical" project. Divided into two sections, one on aesthetic judgment and the other on teleological judgment,...
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What is history and why should we study it? Is there such a thing as historical truth? Is history a science? One of the most accomplished historians at work today, John Lewis Gaddis, answers these and other questions in this short, witty, and humane book. The Landscape of History provides a searching look at the historian's craft, as well as a strong argument for why a historical consciousness should matter to us today. Gaddis points out that while...
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"Counsels and Maxims: The Essays of Arthur Schopenhauer" by Arthur Schopenhauer is a thought-provoking collection of philosophical essays that offer profound insights and practical wisdom for navigating the complexities of human existence. In this compelling anthology, Schopenhauer distills his philosophical ideas into concise and memorable aphorisms, providing readers with a guide for living a more fulfilled and enlightened life. With his characteristic...
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18th century German philosopher, poet, and playwright, Friedrich Schiller began writing while he was in the army. Commanded to stop by his superiors he deserted the army, moved to another country, and began writing under a false name. Schiller was a deep-thinker on ethics and aesthetics. His beliefs held that beauty is not just an aesthetic experience, but that it is also connected with goodness. An essay on aesthetics first published in 1794, "On...
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A seminal work of philosophy and an invaluable resource for students of aesthetics, this volume deeply influenced a generation of art historians. Author Benedetto Croce's theory that art is expression-his signature contribution to aesthetics-allowed art historians to accept many artifacts previously deemed unworthy of study as valuable contributions to the history of art.
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It is remarkably appropriate that this work on aesthetics should have been written by George Santayana, who is probably the most brilliant philosophic writer and the philosopher with the strongest sense of beauty since Plato. It is not a dry metaphysical treatise, as works on aesthetics so often are, but is itself a fascinating document: as much a revelation of the beauty of language as of the concept of beauty.
This unabridged reproduction of the...
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Las imágenes traspasan nuestras vidas, y también las artes, la literatura y el pensamiento. En nuestra época, lo hacen a un ritmo superior a cualquier capacidad de análisis. Este pequeño libro, dirigido a lectores curiosos, observa y compara las consideraciones sobre la imagen en la obra de dos maestros tardíamente reconocidos:
Aby Warburg (1866-1929) y Walter Benjamin (1892-1940). Hacer estas relaciones habría resultado extravagante hace...
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La ira se expresa mediante rasgos somáticos y psíquicos que podemos observar fácilmente en nosotros mismos y en los demás. Siempre tiene un sabor amargo, comporta sufrimiento en el alma y, si es recurrente, hasta en el cuerpo, porque desemboca en úlcera o hipertensión. Siempre a nivel físico, presenta múltiples síntomas: agitación motora, aceleración del ritmo cardíaco, tensión de músculos del cuello, dilatación de las pupilas, ojos...
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The guiding theme of these essays by aesthetician, musician, and Santayana scholar Morris Grossman is the importance of preserving the tension between what can be unified and what is disorganized, random, and miscellaneous. Grossman described this as the tension between art and morality: Art arrests a sense of change and yields moments of unguarded enjoyment and peace; but soon, shifting circumstances compel evaluation, decision, and action. According...
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Contained in this volume is the first part of Immanuel Kant's Critique of Judgement, which is subtitled The Critique of Aesthetic Judgement and in which Kant discusses aesthetics and how as humans we decide what is beautiful and how in turn we respond to that beauty. Immanuel Kant, considered by many to be one of the most important philosophers of all time gives us much to consider on the nature of beauty in this intriguing exposition on the subject....
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Is nothing everything? As strange as that question looks at first sight, it will definitely make sense after reading NOTHING MATTERS. Provocative and accessible, free of jargon, NOTHING MATTERS shows that there is, more to nothing than meets the eye. History, the arts, philosophy, politics, religion, cosmology, all are, touched by nothing. Who, for example, could have believed that nothing held back progress for 600-years, all because of mistaken...
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Fernández Gonzalo, uno de los pensadores y creadores más valiosos y versálites de las últimas hornadas, afirma en este impresionante ensayo que "es tan fácil contemplar la guerra y sus imágenes como difícil es transcribir verbalmente sus signos: la verdad de la guerra resbala siempre entre las fisuras del discurso".
La guerra se ha convertido en uno de los principales índices de datación histórica. A partir de ella, articulamos la masa de...
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Published in 1913, Thomas Mann's Death in Venice is one of the most widely read novellas in any language. In the 1970s, Benjamin Britten adapted it into an opera, and Lucchino Visconti turned it into a successful film. Reading these works from a philosophical perspective, Philip Kitcher connects the predicament of the novella's central character to Western thought's most compelling questions. In Mann's story, the author Gustav von Aschenbach becomes...
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A finales del siglo xix y comienzos del xx, Viena experimentó una eclosión cultural de tal magnitud que acabó convirtiéndose en uno de los principales hitos culturales de la historia de la humanidad. Sin embargo, la I Guerra Mundial acabó de un plumazo con el espíritu de la Viena fin-de-siècle. Es cierto que nos quedan las obras de los genios que la capital del Imperio Austro-húngaro acogió en su seno, pero ya no podemos verlos como contemporáneos...
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The legions of Bob Dylan fans know that Dylan is not just a great composer, writer, and performer, but a great thinker as well. In Bob Dylan and Philosophy, eighteen philosophers analyze Dylan's ethical positions, political commitments, views on gender and sexuality, and his complicated and controversial attitudes toward religion. All phases of Dylan's output are covered, from his early acoustic folk ballads and anthem-like protest songs to his controversial...
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La imagen es un campo problemático en el que conviven percepciones, emociones e ideas. La imagen es a la vez soporte técnico-material y forma expresiva simbólica, y a través de ella podemos trazar universos de sentido que comunican y transfieren diversas temporalidades del devenir humano. Por ello, la imagen exige aproximaciones interdisciplinarias, desde las cuales establecer diálogos y alianzas conceptuales. No es lo mismo la imagen pictórica...