Reverse Shots: Indigenous Film and Media in an International Context
(eBook)

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Published
Wilfrid Laurier University Press, 2015.
Format
eBook
ISBN
9781554584260
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Wendy Gay Pearson., Wendy Gay Pearson|AUTHOR., & Susan Knabe|AUTHOR. (2015). Reverse Shots: Indigenous Film and Media in an International Context . Wilfrid Laurier University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Wendy Gay Pearson, Wendy Gay Pearson|AUTHOR and Susan Knabe|AUTHOR. 2015. Reverse Shots: Indigenous Film and Media in an International Context. Wilfrid Laurier University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Wendy Gay Pearson, Wendy Gay Pearson|AUTHOR and Susan Knabe|AUTHOR. Reverse Shots: Indigenous Film and Media in an International Context Wilfrid Laurier University Press, 2015.

MLA Citation, 9th Edition (style guide)

Wendy Gay Pearson, Wendy Gay Pearson|AUTHOR, and Susan Knabe|AUTHOR. Reverse Shots: Indigenous Film and Media in an International Context Wilfrid Laurier University Press, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDb82a06a7-36dc-01d9-2ab4-11f3e0b5b8e6-eng
Full titlereverse shots indigenous film and media in an international context
Authorpearson wendy gay
Grouping Categorybook
Last Update2024-05-15 02:00:44AM
Last Indexed2024-06-28 04:10:30AM

Hoopla Extract Information

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    [synopsis] => From the dawn of cinema, images of Indigenous peoples have been dominated by Hollywood stereotypes and often negative depictions from elsewhere around the world. With the advent of digital technologies, however, many Indigenous peoples are working to redress the imbalance in numbers and counter the negativity. The contributors to Reverse Shots offer a unique scholarly perspective on current work in the world of Indigenous film and media. Chapters focus primarily on Canada, Australia, and New Zealand and cover areas as diverse as the use of digital technology in the creation of Aboriginal art, the healing effects of Native humour in First Nations documentaries, and the representation of the pre-colonial in films from Australia, Canada, and Norway.
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